Ann, Yedam / 1992
From Seoul, South Korea
EN
Yedam Ann (Seoul, born in 1992) is an artist living and working in Berlin. Her works delve into the essentialization of space and humans across various scales and places. She challenges standardized design and deconstructs established placeness. Her artistic research frequently examines urban landscapes against the backdrop of technology and digital environments, extending to the spreading occurrences. Her observation often highlights themes of marginalised identities and museumification of the cities and humanity. The digital precarity and gig economy, hostile design of technology and infrastructures, and AI learning racism and sexism have been her interests recently. Her work seeks to unlearn the classification to change the social dynamics and these interests are often translated into space installation, videos, and performance.
DE
Yedam Ann (Seoul, geboren 1992) lebt und arbeitet in Berlin, die sich in ihren Arbeiten mit der Essenzialisierung von Raum und Menschen in verschiedenen Maßstäben und an verschiedenen Orten auseinandersetzt. Sie fragt standardisiertes Design und dekonstruiert etablierte Placeness hinter. Ihre künstlerische Forschung untersucht häufig urbane Landschaften vor dem Hintergrund von Technologie und digitalen Umgebungen, bis hin zu den sich ausbreitenden Ereignissen. Ihre Beobachtungen beleuchten oft Themen wie marginalisierte Identitäten und die Musealisierung der Städte und der Menschheit. Die digitaler Prekarität und Gig-Economy, die menschenfeindliche Gestaltung von Technologie und Infrastrukturen sowie der durch KI erlernte Rassismus und Sexismus sind ihre jüngsten Interessen. Anns Arbeit zielt darauf ab, die Klassifizierung zu verlernen, um die soziale Dynamik zu verändern. Diese Interessen werden oft in Rauminstallationen, Videos und Performances umgesetzt.
한국어
안예담(서울, 1992)은 베를린에서 거주하며 작업하는 작가이다. 그녀의 작품은 다양한 규모와 장소에서의 공간과 인간 요약화를 다룬다. 그녀는 작품을 통해 표준화된 디자인에 질문하며 기존의 장소성을 해체한다. 그녀의 예술적 연구는 기술과 디지털 환경을 배경으로 도시 풍경을 탐구하며, 이는 확산되는 현상으로 이어진다. 그녀는 소외된 정체성과 도시와 인류의 박물관화를 관찰하며, 최근에는 긱 경제 (gig economy), 기술 및 인프라의 적대적 설계, 인종차별과 성차별을 학습하는 인공지능이 관심사이다. 이러한 사회적 역학을 변화시키기 위해 분류를 해체하는 작업을 추구하며, 이러한 관심사는 공간 설치, 비디오, 퍼포먼스로 이어진다.
Education
Ewha Womans’ University
-B.A. Media studies (TV&Film), 2010-2015, Seoul
Universitat Autonoma de Barcelona
-History, 2013-2014, Barcelona
Kunstakademie Münster
-Diplom, Fine art, 2018-2023, Meisterschülerin under Aernout Mik
Group Exhibition
Line fictions, 2024-2025, Kunstraum Kreuzberg | Bethanien, Berlin, Germany - Kunsthaus Erfurt, Erfurt - Hyper Cultural Passengers, Hamburg
Anomymous drawings, 2024-2025, Kunstraum Kreuzberg | Bethanien, Berlin - Kunsthaus Erfurt, Erfurt - Hyper Cultural Passengers, Hamburg
RE:VISION-20 Years Kunstverein Tiergarten, 2024, Galerie Nord, Berlin
Saekki-Chigi Take me to the moon (As a part of AFSAR), 2024, News Yeonnam, Seoul
Off the timeline, 2024, Project space on the inside, Amsterdam, Netherland
운반지점 (Conveying point), 2021, SAPY, Seoul
In between, 2020, Galerie Nord, Berlin
Ausstellungsprojekt 70 Jahre Landesverfassung NRW, 2020, NRW Landtag, Düsseldorf (postponed until Oct. 2021 due to COVID-19)
Wellenlänge, 2020, Kunsthaus Kannen, Münster
The Public matters, 2019-2020, LWL- Museum fuer Kunst und Kultur, Münster
In Between, 2019, im_Keller, Münster
Dialog, Collaborative performance, 2017, The corner room art, Berlin
Fantomoj, 2016, UdK Berlin, Berlin
Perfektes Wetter, 2015, AM Gallery, Berlin,
Pancakes and Booze, 2015, Forum factory, Berlin
Arternative Playground, 2015, The Rag Factory, London
Presentation / Festival
Reading session & performance with AFSAR Sisalon x Don Mee Choi, AN(8)X Festival shards, shards, whisper and flare, 2024, Berlin
Hörbar, 48H Neukölln, 2024, Berlin
Ansible, IMPAKT festival, 2023, Utrecht, Netherland
Ansible, Ars Electronica, 2023, Linz, Austria
In the Name of, Auftakt Festival für szenische texte, May, 2020, Cologne (online due to COVID-19)
Good friends, Video performance, Nov. 2017, Kunstpunkt Berlin, Berlin
Sun Sphere Reigns, Oct. 2017, Anomalie, Berlin
Selfie / Past routine, solo presentation combined with the session of musicians, 2016-2017, Minuseins galerie (Kultstätte Keller), Berlin
Solo Exhibtion / Show
Flaneur, Fracto, Spooky (Diplom exhibition), 2023, Münster
Nicht Arcade, 2021, Post Territory Ujeongguk, Seoul
Unreal estate, 2021, Wewerka Pavillon, Muenster
AiR / Artist program
CODE, 2023, IMPAKT Centre for Media Culture (Utrecht)-Werktank (Leuven)-Privacy Salon/Privacytopia (Brussels)-transmediale (Berlin)
Raumstation AiR, 2021, Stuttgart
Stipend / Grant
Goldrausch Künstlerinnenprojekt, 2025, Berlin
Graduation scholarship, DAAD, 2023
Research grant, SFAC, 2022
Production grant for solo exhibition, The Seoul Foundation for Arts and Culture (SFAC), 2021
Publication
Emotional Reports, Editor, 2013-2014, Seoul
Holden magazine, Contributing Editor, Seoul-Barcelona, 2013-2014
Zeitschrift fuer, Contributing writer, Berlin, 2021
A member of
Project D 612 2013-2015, Seoul-Barcelona
The Corner Room Art 2016-2018, Berlin
nGbK 2023-, Berlin
From Seoul, South Korea
EN
Yedam Ann (Seoul, born in 1992) is an artist living and working in Berlin. Her works delve into the essentialization of space and humans across various scales and places. She challenges standardized design and deconstructs established placeness. Her artistic research frequently examines urban landscapes against the backdrop of technology and digital environments, extending to the spreading occurrences. Her observation often highlights themes of marginalised identities and museumification of the cities and humanity. The digital precarity and gig economy, hostile design of technology and infrastructures, and AI learning racism and sexism have been her interests recently. Her work seeks to unlearn the classification to change the social dynamics and these interests are often translated into space installation, videos, and performance.
DE
Yedam Ann (Seoul, geboren 1992) lebt und arbeitet in Berlin, die sich in ihren Arbeiten mit der Essenzialisierung von Raum und Menschen in verschiedenen Maßstäben und an verschiedenen Orten auseinandersetzt. Sie fragt standardisiertes Design und dekonstruiert etablierte Placeness hinter. Ihre künstlerische Forschung untersucht häufig urbane Landschaften vor dem Hintergrund von Technologie und digitalen Umgebungen, bis hin zu den sich ausbreitenden Ereignissen. Ihre Beobachtungen beleuchten oft Themen wie marginalisierte Identitäten und die Musealisierung der Städte und der Menschheit. Die digitaler Prekarität und Gig-Economy, die menschenfeindliche Gestaltung von Technologie und Infrastrukturen sowie der durch KI erlernte Rassismus und Sexismus sind ihre jüngsten Interessen. Anns Arbeit zielt darauf ab, die Klassifizierung zu verlernen, um die soziale Dynamik zu verändern. Diese Interessen werden oft in Rauminstallationen, Videos und Performances umgesetzt.
한국어
안예담(서울, 1992)은 베를린에서 거주하며 작업하는 작가이다. 그녀의 작품은 다양한 규모와 장소에서의 공간과 인간 요약화를 다룬다. 그녀는 작품을 통해 표준화된 디자인에 질문하며 기존의 장소성을 해체한다. 그녀의 예술적 연구는 기술과 디지털 환경을 배경으로 도시 풍경을 탐구하며, 이는 확산되는 현상으로 이어진다. 그녀는 소외된 정체성과 도시와 인류의 박물관화를 관찰하며, 최근에는 긱 경제 (gig economy), 기술 및 인프라의 적대적 설계, 인종차별과 성차별을 학습하는 인공지능이 관심사이다. 이러한 사회적 역학을 변화시키기 위해 분류를 해체하는 작업을 추구하며, 이러한 관심사는 공간 설치, 비디오, 퍼포먼스로 이어진다.
Education
Ewha Womans’ University
-B.A. Media studies (TV&Film), 2010-2015, Seoul
Universitat Autonoma de Barcelona
-History, 2013-2014, Barcelona
Kunstakademie Münster
-Diplom, Fine art, 2018-2023, Meisterschülerin under Aernout Mik
Group Exhibition
Line fictions, 2024-2025, Kunstraum Kreuzberg | Bethanien, Berlin, Germany - Kunsthaus Erfurt, Erfurt - Hyper Cultural Passengers, Hamburg
Anomymous drawings, 2024-2025, Kunstraum Kreuzberg | Bethanien, Berlin - Kunsthaus Erfurt, Erfurt - Hyper Cultural Passengers, Hamburg
RE:VISION-20 Years Kunstverein Tiergarten, 2024, Galerie Nord, Berlin
Saekki-Chigi Take me to the moon (As a part of AFSAR), 2024, News Yeonnam, Seoul
Off the timeline, 2024, Project space on the inside, Amsterdam, Netherland
운반지점 (Conveying point), 2021, SAPY, Seoul
In between, 2020, Galerie Nord, Berlin
Ausstellungsprojekt 70 Jahre Landesverfassung NRW, 2020, NRW Landtag, Düsseldorf (postponed until Oct. 2021 due to COVID-19)
Wellenlänge, 2020, Kunsthaus Kannen, Münster
The Public matters, 2019-2020, LWL- Museum fuer Kunst und Kultur, Münster
In Between, 2019, im_Keller, Münster
Dialog, Collaborative performance, 2017, The corner room art, Berlin
Fantomoj, 2016, UdK Berlin, Berlin
Perfektes Wetter, 2015, AM Gallery, Berlin,
Pancakes and Booze, 2015, Forum factory, Berlin
Arternative Playground, 2015, The Rag Factory, London
Presentation / Festival
Reading session & performance with AFSAR Sisalon x Don Mee Choi, AN(8)X Festival shards, shards, whisper and flare, 2024, Berlin
Hörbar, 48H Neukölln, 2024, Berlin
Ansible, IMPAKT festival, 2023, Utrecht, Netherland
Ansible, Ars Electronica, 2023, Linz, Austria
In the Name of, Auftakt Festival für szenische texte, May, 2020, Cologne (online due to COVID-19)
Good friends, Video performance, Nov. 2017, Kunstpunkt Berlin, Berlin
Sun Sphere Reigns, Oct. 2017, Anomalie, Berlin
Selfie / Past routine, solo presentation combined with the session of musicians, 2016-2017, Minuseins galerie (Kultstätte Keller), Berlin
Solo Exhibtion / Show
Flaneur, Fracto, Spooky (Diplom exhibition), 2023, Münster
Nicht Arcade, 2021, Post Territory Ujeongguk, Seoul
Unreal estate, 2021, Wewerka Pavillon, Muenster
AiR / Artist program
CODE, 2023, IMPAKT Centre for Media Culture (Utrecht)-Werktank (Leuven)-Privacy Salon/Privacytopia (Brussels)-transmediale (Berlin)
Raumstation AiR, 2021, Stuttgart
Stipend / Grant
Goldrausch Künstlerinnenprojekt, 2025, Berlin
Graduation scholarship, DAAD, 2023
Research grant, SFAC, 2022
Production grant for solo exhibition, The Seoul Foundation for Arts and Culture (SFAC), 2021
Publication
Emotional Reports, Editor, 2013-2014, Seoul
Holden magazine, Contributing Editor, Seoul-Barcelona, 2013-2014
Zeitschrift fuer, Contributing writer, Berlin, 2021
A member of
Project D 612 2013-2015, Seoul-Barcelona
The Corner Room Art 2016-2018, Berlin
nGbK 2023-, Berlin